The proposed budget would eliminate the following federal agencies:
For biomedical scientists, the most distressing section was this:
Reduces the National Institutes of Health’s (NIH) spending relative to the 2017 annualized CR level by $5.8 billion to $25.9 billion. [NOTE: this is a 19% cut from current budget of $30.3 billion.] The Budget includes a major reorganization of NIH’s Institutes and Centers to help focus resources on the highest priority research and training activities, including: eliminating the Fogarty International Center; consolidating the Agency for Healthcare Research and Quality within NIH; and other consolidations and structural changes across NIH organizations and activities. The Budget also reduces administrative costs and rebalance Federal contributions to research funding.
This is extremely alarming (but so vague and poorly written that it’s hard to infer the exact intent here). The NIH has broad bipartisan support, so such a massive gutting is unlikely. On the other hand, Trump has said, “I hear so much about the NIH, and it’s terrible.”
The document is filled with unsupported claims:
Eliminates $403 million in health professions and nursing training programs, which lack evidence that they significantly improve the Nation’s health workforce. [NOTE: Where is this evidence?] The Budget continues to fund health workforce activities that provide scholarships and loan repayments in exchange for service in areas of the United States where there is a shortage of health professionals.
…and meaningless hand-waving:
Invests in mental health activities that are awarded to high-performing entities and focus on high priority areas, such as suicide prevention, serious mental illness, and children’s mental health.
The Environmental Protection Agency (EPA) would be among the hardest hit, with 3,200 fewer positions and a 31% cut in funding. This is no surprise, since deregulation is more important than clean air and drinkable water.
Those of us with a conscience don’t have to accept this sadistic budget by Bannon and co., which is designed to outrage and infuriate. Write or call your representatives NOW.
The “complaining is bad for your brain” trope is making the rounds again. In How Complaining Rewires Your Brain For Negativity, Dr. Travis Bradberry (“Author of #1 bestselling book, Emotional Intelligence 2.0, and president of TalentSmart, world’s leading provider of emotional intelligence”) claims:
Repeated complaining rewires your brain to make future complaining more likely. Over time, you find it’s easier to be negative than to be positive, regardless of what’s happening around you. Complaining becomes your default behavior, which changes how people perceive you.
And here’s the kicker: complaining damages other areas of your brain as well. Research from Stanford University has shown that complaining shrinks the hippocampus—an area of the brain that’s critical to problem solving and intelligent thought. Damage to the hippocampus is scary, especially when you consider that it’s one of the primary brain areas destroyed by Alzheimer’s.
A half hour of complaining every day physically damages a person’s brain, according to research from Stanford University. Whether you’re the one griping or you’re the one listening, exposure to negativity peels back neurons in the hippocampus—the part of the brain used for problem solving and cognitive function. Over time, complaining becomes a habit. If you’re surrounded by complainers, then you’re more likely become one.
The research on “peeling back neurons in the hippocampus” is a link to a non-existent article in iaap-hq.org. Pulling up the extinct page in archive.org yields this gem, Complaining Hurts Your Brain (3/27/14):
Scientific research from Stanford’s medical school revealed that exposure to 30 minutes of negativity every day (including negative news on TV) can physically damage the brain. It damages the neurons in the hippocampus, the part of the brain used for problem solving and cognitive functioning. This is significant because research also shows that in Alzheimer’s disease, the hippocampus is one of the first regions of the brain to suffer damage.
Now let’s look for a study where the participants had their brains scanned, watched 30 minutes of negative news every day for three months, then had their brains scanned again. For good measure, we should assign half of the participants to a control condition, where they are forbidden to watch negative news for three months. Then we can compare hippocampal volumes in the two groups.
You know where this is going. The peeling hippocampus study does not exist. It’s completely fictional.
Robert Sapolsky is a professor and researcher in the field of stress and the effect it has on health. For the past three decades Sapolsky has been studying how the mind and body handle stress. In an interview with Stanford Report, he said:
“It’s becoming clear that in the hippocampus, the part of the brain most susceptible to stress hormones, you see atrophy in people with post-traumatic stress disorder and major depression. … There’s a ton of very exciting, very contentious work as to whether stress is causing that part of the brain to atrophy, and if so, is it reversible. Or does having a small hippocampus make you more vulnerable to stress-related traumas? There’s evidence for both sides.“
An extensive literature stretching back decades has shown that prolonged stress or prolonged exposure to glucocorticoids—the adrenal steroids secreted during stress—can have adverse effects on the rodent hippocampus.
Yes indeed, the invasive studies that examine actual neurons in the hippocampus are in rodents.
More recent findings suggest a similar phenomenon in the human hippocampus associated with many neuropsychiatric disorders. This review examines the evidence for hippocampal atrophy in (1) Cushing syndrome, which is characterized by a pathologic oversecretion of glucocorticoids; (2) episodes of repeated and severe major depression, which is often associated with hypersecretion of glucocorticoids; and (3) posttraumatic stress disorder. Key questions that will be examined include whether the hippocampal atrophy arises from the neuropsychiatric disorder, or precedes and predisposes toward it…
Notice that both here and in his 2007 Stanford News quote above, he questions the direction of causality.
Do you hate it when people complain? It turns out there’s a good reason: Listening to too much complaining is bad for your brain in multiple ways, according to Trevor Blake, a serial entrepreneur and author of Three Simple Steps: A Map to Success in Business and Life. In the book, he describes how neuroscientists have learned to measure brain activity when faced with various stimuli, including a long gripe session.
“The brain works more like a muscle than we thought,” Blake says. “So if you’re pinned in a corner for too long listening to someone being negative, you’re more likely to behave that way as well.”
Even worse, being exposed to too much complaining can actually make you dumb. Research shows that exposure to 30 minutes or more of negativity–including viewing such material on TV–actually peels away neurons in the brain’s hippocampus. “That’s the part of your brain you need for problem solving,” he says. “Basically, it turns your brain to mush.”
Then the unthinkable happened. Some of these scenarios actually came true on November 8, 2016. Trump is appointing white nationalists and right wing hard-liners to key posts in his administration. Like many others, I’m still in a state of shock.
The recent ugly turn of events has inspired me to create Slogans for Liberals in the Trump Era, based on Coupland’s designs. Some of the slogans were made up by me, others taken from recent news stories and credited as such.
The ex-Breitbart executive, who serves as Trump’s chief strategist for the new administration, told The Hollywood Reporter that “darkness is good.”
“Dick Cheney. Darth Vader. Satan. That’s power. It only helps us when they (liberals) get it wrong. When they’re blind to who we are and what we’re doing,” he said in an interview published Friday, his first outside of Breitbart since the election.
“Fear is the most elegant weapon, your hands are never messy”
Many people are familiar with Jenny Holzer‘s Truisms (1978-1983), but fewer know about her Inflammatory Essays (1979-1982). Amid the surreal reality show that is the 2016 US Presidential election, Holzer’s words from 35 years ago ring true today.
Medical officers were convinced that one of the major causes of infant mortality was the widespread practice of giving children narcotics, especially opium, to quieten them. At 1d an ounce laudanum was cheap enough — about the price of a pint of beer — and its sale was totally unregulated unitl late in the century.
Indeed, the New York Times of 1879 reported a terrible opium poisoning that caused the death of a one year old child.
There were other dangerous “soothing” products of the day with quaint and reassuring ads. One can imagine that administration of these potions was not limited to teething and bowel complaints. The U.S. National Library of Medicine has a lovely collection of these.
Six drops of this fine medicine was enough to kill a six week old baby in 1886.
Lest you think that in the modern era, we know better than to poison our children with such foolish remedies, there was a recall of a dangerous product in 2009. The recall was “in response to a reported case of potassium bromide poisoning in an infant, associated with the use of a locally purchased teething product.”
The name of this product? Monell’s Teething Cordial (Cordial de Monell para la Dentición).
I saw the brutal and breathtaking film The Tribe the other day. It was about decay and violence and sex as violence and belonging and exclusion. It was about a thuggish gang of high school students at a Ukrainian boarding school for the Deaf. Peeling paint on the walls of the ugly claustrophobic corridors and stairwells sets the tone. The landscape was filled with graffiti and burned out cars and dilapidated buildings. No future and beyond hope.
The teachers enforced no rules and looked the other way at systematic violence as a way of life. Not only that, adults helped facilitate the criminal activity (along gender lines): robbery and physical assault for the boys, and prostitution for the girls.
The film was filled with constant dialogue but none of it was spoken. The non-professional actors communicated via Ukrainian sign language.
There were no subtitles.
This was the central conceit of the film: the audience is forced to interpret the story by watching the characters gesture, decoding their facial expressions and body language. Which is not all that hard for many of us to do* (in broad strokes, at least), but the nuance is lost.
But nuance was not the point here. The ambient sounds — roaring traffic, crunching leaves, footsteps on snowy sidewalks, knocking on windows, slaps, fists hitting flesh — were all amplified, or at least it seemed that way. The nihilism was overwhelming. And the violence (including sexual violence) was…. very disturbing, to say the least.
The overall critical reception of The Tribe (along with work by lead actors Hryhoriy Fesenko and Yana Novikova, director Myroslav Slaboshpytskiy, and cinematographer Valentyn Vasyanovych) has been glowing: a rating of 78% on Metacritic and 87% on Rotten Tomatoes.
Autonomy or Exploitation?
But was Slaboshpytskiy exploiting these young members of the Deaf community (with whom he could not communicate directly) by exposing them so completely (emotionally as well as physically)? Fesenko and Novikova appeared completely nude in sex scenes that were used in promotional material.
Two underage girls were shown as willing participants in the school prostitution ring, pimped out by their classmates and teachers, engaging in grubby and degrading truck stop sex. The director chose not to show us the emotional toll such sex work would have, instead justifying it as their only way out… out of the depressing institutional school, and out of the country (to Italy).
“With great fear I anticipated seeing myself naked on the big screen, and this feeling of alarm didn’t leave,” Novikova says in an e-mail interview. “I was so uncomfortable. I had a desire to hide from everyone and everything under a chair. I thought if I played it badly, the audience will laugh at me.
“And then the movie ended, the credits went, and they turned on the lights. The reaction of the public dumbfounded me: Someone cried, someone was in a chair and just sat, covering their face. And then everyone rose and started applauding, turning to us. They shouted ‘Bravo!’”
Novikova said in the interview that she always wanted to be an actress. How many acting opportunities are there for young Deaf Ukrainian women? Zero, except for this one. And here “we” the hearing should consider the possibility of a wider autonomy for the members of an insular community — autonomy for both the actors and their characters in the film. The latter is a more problematic notion, since they’re underage victims of institutional neglect.
The brutality and nihilism exhibited by mere teenagers in the film is astonishing. The situation is murky: Are these students purely victims of predatory teachers or willing collaborators in their own degradation?
“I was told stories about corruption in deaf boarding schools, particularly between the years 1990-1996,” says Novikova, 22. “I think it is a bit of both. Each is feeding the other, like an addiction.”
Importantly, the characters existed outside of and apart from the world of the hearing. They’re allowed to be as bad as the rest of us. It’s the viewers who are the marginalized ones, who must figure out what’s going on. To dismiss this as a “silent” movie is to ignore the centrality of signing in the Deaf community.
…and Back to Exploitation
The director had the two lead actors watch a number of movies with explicit sex scenes, like Last Tango in Paris, 69 Songs, Shortbus, and Salò. And the one that raised a red flag for me, Blue is the Warmest Color, which I thought was extremely exploitative and male-gazy (but that’s another story). More from the interview:
…She grew more comfortable having to undress after seeing “Blue.”
“I understood that cinema sex is about love, about knowledge of and discovery of sexuality, not just about erotic scenes,” Novikova says. “This rich character history, the frank work of the actors shook me. I literally fell in love with the lead actress.
“And then Miroslav told me that the movie “Blue Is the Warmest Color” received an award, the Golden Palm in Cannes,” she adds. “I asked him, ‘And what is this Cannes?’ … Miroslav promptly explained it to me. And I lit up. I imagined presenting myself on the red carpet, in a beautiful dress, under flashes of cameras. In my head, it was as if something clicked: Can it be, ‘The Tribe’ — my one and only chance to become a professional actress? It gave me internal strength, and I declared to Miroslav: ‘I will do everything, I want to receive the Golden Palm.’”
With “The Tribe,” Novikova did walk the red carpet under flashes of cameras in a beautiful dress at the Cannes Film Festival.
And another male director convinced (manipulated/exploited) another young female actress into performing nude/explicit scenes…. yet we shouldn’t deny Novikova her autonomy.
The Deaf Community Speaks Out
The most important opinions about this film aren’t mine, they’re those of the Deaf Community. And here the reviews are mixed.
Significantly, there are no subtitles and no voiceover. The audience is asked to understand the film by picking up on the actors’ physical expressions as they sign to each other – almost like watching a silent film. Because sign languages vary in countries across the world, British deaf people are likely to understand as little as anyone else.
At first, this is deeply unsettling. Ten minutes into the film, I wasn’t sure if I could carry on watching it. I’m a film-maker and scriptwriter, and words are important to me. As a deaf person, I also wanted to know exactly what they were signing to one another, and where the plot was going. Having spent hours painstakingly adding subtitles and voiceover to my own films and programmes, I couldn’t help but wonder whether the decision to give no access to the dialogue was a cop-out.
Then I started to pick up on the characters’ relationships, changes in mood, and began to understand what was going on. Cleverly, by removing subtitles the audience is forced to engage more with the deaf characters, to really look in order to understand. I can’t deny that there’s also something I quite like about hearing people being put into a position we deaf people often find ourselves in – having to figure out what is being said.
What’s also different about the film, from a deaf perspective, is how extreme the story is, and the world it depicts. Most deaf programmes or films face restrictions because they are made to be shown before the watershed in daytime hours where signed TV shows tend to be aired. Consequently it’s rare to see a film with deaf characters where adult themes are explored. In my view, the themes are not simply explored for effect in The Tribe – they are justified by the story that’s being told.
Raymond Luczak: NO MORE SAVAGERY, PLEASE: A Deaf person’s review of the film The Tribe
The assumptions that a hearing person, uninformed about Deaf people, would be encouraged to make on the basis of this film would naturally be very different from the assumptions that a Deaf viewer would make. This is why, whenever hearing people make films about us, we Deaf people are naturally concerned about whether something on the screen will reflect badly on us. The Deaf community in America has been fighting against the closure of Deaf residential schools, which is an important battleground for several reasons. … For a Deaf person, a language that’s fully accessible is generally more powerful than ties to a biological family that doesn’t make enough of an effort to include her in the family conversations around the table. It is through language, not blood, that we feel whole and connected. In this context, Sergey’s desire to be part of a group who fully understands his language is entirely understandable.
Yet I suspect that for many Deaf Americans still hurting over the closure of certain Deaf residential schools, it would indeed prove troubling to watch a group of Deaf teenagers behave so badly toward each other in this film.
. . .
In this film, almost everyone is exploited, but make no mistake: This is above all an exploitation film made by hearing filmmakers. It is useful to ponder what the term truly means, and I quote Wikipedia here: “Exploitation film is an informal label which may be applied to any film which is generally considered to be low budget, and therefore apparently attempting to gain financial success by ‘exploiting’ a current trend or a niche genre or a base desire for lurid subject matter. The term ‘exploitation’ is common in film marketing for promotion or advertising in any type of film. These films then need something to exploit, such as sex, violence, or romance…” However it may be shot at a cool distance, The Tribe has luridness in spades. It would be most interesting to learn what the Ukrainian Deaf community thinks of the film itself, beyond the thrill of seeing their friends up there on the screen.
Gratuitous Abortion Scene
Here we come to the most serious WARNING for those who wish to see The Tribe. No one will be able to convince me that the unbearably long (7 min 30 sec) and gruesome bathtub abortion scene is anything other than an affront to the audience. After an extended argument with her roommate (who we imagine is trying to dissuade her), Anya (pregnant by classmate Sergey, who steals to get the money) heads out alone to the illegal “provider.” The abortionist is a grim and expressionless woman from the Dead Ringers school of gynecological torture. The bathroom is filthy and painted with the same sloppy blue and white institutional paint seen everywhere else. I’ll spare you the full image.
Hearing Anya cry out in pain and agony was the most disturbing aspect of this savage act (and the entire film). We’ve heard no utterance from her up until this point.
I thought the abortion scene was completely unnecessary, and I’m not the only one. But it follows the Director’s gendered curriculum of boarding school violence: rape (and now gynecological butchery) for the girls, head bashing for the boys.
It took me a while to recover from this scene. But I eventually wondered, was the director trying to say something about abortion in contemporary Ukraine? Seems doubtful to me. It’s actually Russia that has the problem with high abortion rates, according to this 2012 paper:
Since the end of the 1990s, the Russian government switched to archaic ideology in the area of reproductive health and family planning and neglects evidence-based arguments. Such an extreme turn in the governmental position is not observed in Belarus or Ukraine. This is an important factor contributing to the slowdown in the decrease of abortion rates in Russia.
In the end, I might consider how Ukrainian politics influenced The Tribe, but that would be pointless because I’m no expert. So I’ll let an article from The Ukrainian Weekly have the last word:
There is a scene where two administrators (also mute) who arranged for an Italian visa for two young girl students, ceremoniously trot out the vodka bottle – just like some real life administrators from that part of the world. As we recognize more and more tableaus that ring true, we begin to realize the full tragedy of what we are viewing – this is a film about a society that has regressed to a primitive state, it is about the desperation of people caught in a dysfunctional hell-hole. Who has not been disturbed by the crumbling buildings, the disinterested apparatchiks and other weasels, the quiet desperation of the long waiting lines, and the skinhead punks in Ukraine? – only this time they just happen to all be deaf… Our emotional response is undeniable. And with this, the director has achieved his goal.
* … no judgment meant against neurodiverse people who might find this difficult and perhaps frustrating. Which would be an interesting topic, about another community…
A recent spam e-mail from a hijacked journal was one of the most ridiculous I’ve ever received. Besides the misspelling of the journal name in the subject line, the deadline for manuscript submission was before the message was sent! The completely irrelevant topic is typical, as is the cheery obsequiousness.
From: Journal of Industrial Pollution Control<firstname.lastname@example.org> Date: Wed, Jul 15, 2015 at 11:04 PM
Subject: Industrail Control Pollution-submission:Invitation
To: [The Neurocritic]
Journal of Industrial Pollution Control
SCOPUS – H Index – 9; NAAS Rating – 4.60
Hope you are doing well!
It gives a great pleasure to email an eminent person like you.
After the successful completion of 30years, Journal of Industrial Pollution Control with NLM(PUBMED) ID: 9012876 is stepping ahead to continue the legacy of its glance by inviting eminent researchers like you to share your views for our upcoming Volume 31, Issue 1.
Articles published will be subjected to indexing in Chemical Abstracts(U.S.A); SCOPUS;EBSCO Publishing(U.S.A); Cambridge Science Abstracts;Ecology Abstracts;Pollution Abstracts;Geological Abstracts;International Development Abstracts;Oceanographic Literature Review;Zoological Records;Indian Science Abstracts, Niscair(India).
We have chosen selective scientists who have contributed excellent work, Thus I kindly request you to contribute a Short Commentary of 1-2 pages (or) Letter to Editor of 1-2 pages (or) Mini Review (Research, Reviews are also invited) for publication in our upcoming issue.
We would truly gratify and appreciate receiving your submission before July 15th